DANCE THE ROOM

What is the relationship between the body and architecture? Are rooms all about seeing, or should designers also take in account sensory experiences such as touch, sound, smell, temperature and balance?  And do we use the whole space of the rooms we are in, or do we simply stick to restricted movements through restricted zones?

Picture credits: Not me. Sia, I suppose?

In this rather amazing music video, 11 year old Maddie Ziegler performs a choreography that to an (to my eyes) unusual degree, engages with the room in which it is performed. Sia's rihannesque (they've collaborated earlier) song is complemented by Siegler's moves through what looks like an early 20th century apartment, with rough and stained surfaces. She moves from room to room, playing with light and shadow, as well as constantly interacting physically with the shapes and borders of the spaces in new ways.

Although I unfortunately can't use or experience a room this way myself, due to my being a well below average dancer, I think this video serves as a reminder of the possibilities that lie in the meeting between bodies and rooms, possibilities that perhaps should be more explored by both designers, dancers and daily users of architecture.

P.S. If you (as I) were truly fascinated, have a look at the one-take version of the video at The Guardian. A bit rougher than the official video, it's perhaps even more captivating in the unrefined honesty of what was happening on the set.

SKATING IN ORDOS

What do you do with a city built for 300 000 people, but with a population of less than 10% of that? (It's Inner Mongolia, I don't blame humanity for not moving.) We're talking large urban spaces, attempts at innovative architecture, oversize bronze horses galloping across stone plazas, organic concrete shapes and four-lane roads without cars.

You bring your skateboard, of course.

The poetically named Kangbashi New Area, Ordos. Not Bregna.

FICTIONAL FRIDAY: RIGEL VII

So, thanks to Netflix I've started  watching the original Star Trek-series, here represented by the Orient-inspired (Jerusalem meets Lhasa) Riegel VII. I'm rather amazed, but as George Takei (who by the way was very hot back then) would say: Oh myyy!

FICTIONAL FRIDAY: THOR/THE DARK WORLD

Stone! Brass! Glass! Viking ornament! Thor is back, more focused on the weird and wonderful architecture in Asgard (Marvel's version of it, anyway) than ever. When this world was launched some years ago, many were astonished by the futuristic look of the city of the Northern gods. I'm looking forward to seeing more of these spaces, which are rooted in ancient traditions, but with a very fresh feel.

MOMO

Have you ever read this wonderful book? A modern fable, dealing with such themes as time, modernity and life in the city, Michael Ende's classic also contains reflections on architecture, and descriptions of amazing rooms and spaces.

The text is, in most versions, accompanied by these pictures and many more, apparently made b Ende himself. They make the book come alive in a weird and charming way, and are an excellent example of how fictional imagery might extend the possibilities of architecture. The protagonist lives in an old Roman amphitheatre, and the book has been described by the author as "a tribute of gratitude to Italy".

It was also made into a film in 1986, featuring great and imaginative sets, often reminiscent of classical architecture. Here's a montage of clips from the film. Not my taste in music, but have a look anyway:




And read the book. And watch the whole film. It's all very beautiful.

FICTIONAL FRIDAY: HANDRAILS OF MIDDLE-EARTH

An architectonical observation from the incredibly funny Youtube channel Cinema Sins in the video counting the sins of the first Hobbit film (which by the way contains loads of cool fictional architecture and urbanism).

But what is the explanation for this? Why no handrails? Might just be because it looks good, but that doesn't explain how no one would try to prevent the thousands of casualties which inevitably would be the result of this policy. Visual pleasure vs. security is a debate in this world as well (just think of the organisations for people with impaired vision, who wants there to be gigantic glowing yellow arrows and stripes absolutely everywhere), but it's quite easy to see who won in this one.

Why not include the whole video:

FICTIONAL FRIDAY: MOOMINS AND THE COMET CHASE

I recently saw this charming little film, which was compiled from parts of the old Moomin tv-series. I've always loved to Moomin universe, and not at least the charming wooden architecture that fills it. Thanks to my briliant and charming classmate Inga Hegdahl Eggen for suggesting the Moomin house!

FICTIONAL FRIDAY: HELL HALL

In the Disney classic 101 Dalmatians, the said dalmatians are kidnapped and kept in the old country house of the film's villain, Cruella de Vil. Hell Hall is the name of the manor, and the architecture seems to be quite eclectic, mixing gothic, elizabethan and rococo. An interior view:

I also tried finding the clip where the puppies are rescued from the manor, but that wasn't very easy to find. However, if you're a real fan of Cruella and her house (or if your children are(in which case you should probably call you local exorcist)), you can buy the Hell Hall toy house:

I actually think I wouldn't mind living there, considering how I love houses that look like they have been added to again and again. I'd prefer miss de Vil to move out first, though.

FICTIONAL FRIDAY: CARTIERIAN ODYSSEY

A bit to much? Perhaps. But also: Loads of lovely architecture, fictional and factual.

In the "behind the scenes"-film, you can also see how the filmmakers actually used a real panther, and filmed on location such places as Prague, Aragón and Grand Palais, Paris.

PRUITT-IGOE

A younger man than myself helped me remember this beautiful piece of music, written by Philip Glass for the film called Koyaanisqatsi (1982). The title derives from a scene in which the failed housing project named "Pruitt-Igoe", designed by Minoru Yamasaki (mostly known as the architect of the Twin Towers), is being demolished.

Although frequent attempts have been made by architects to blame the failures of the project on other aspects than the architecture, it has remained a symbol of  how ideology-driven, de-humanizing thinking in our craft can result in horrible and uninhabitable places. The famous architecture historian and theorist Charles Jencks has even claimed that the tearing down of Pruitt-Igoe nailed the moment where Modernism's optimism on behalf of the future and itself ended, and post-modernism started.

The site is now mostly empty, but suggestions have been made for it to be rebuilt in completely different ways, for example in the charming and thought-through master plan developed by architect Samuel Lima. He suggests applying traditional architecture, extracted from examples in the nearby area, and is firmly planted within the New Urbanist approach.

VISUAL STRUCTURE FILM

Almost three years ago, I wrote a short post explaining about our particular academic discipline at BAS, called visual structure. Today, I was made aware of this video, showing an assignment usually done in Decembre first year, where uniformly coloured geometric shapes are given a contrasting treatment of different colours in non-geometric patches. The idea is that you should be curious to find out what the next side of the shape looks like, so that you'll be intrigued to look all the way around it. Quite charming video, and I think it expresses this concept clearly.

SCALE (AND ARPEGGIOS)

In architecture, we talk about scale a lot. In my first year spring project, I added a tower to an already quite large barn that I remodeled into a house. The tower was twice as tall as the barn, and I was accused of not understanding the scale of the place.

This autumn, I've been working with urban fabric in a part of Bergen where the buildings and streets have very different scales.

I even have a book called "Scale in Architecture, and let's not forget the architect's scale!

The only problem is this: Every time someone mentions the word 'scale' (including yours truly), I immediately start humming this song. It's unstoppable. Help me.

PS. I love "The Aristocats" (and their house).

FICTIONAL FRIDAY: KITCHEN CLIMBING

I want this!

(Thanks to my classmate Mats Børseth Østang (who by the way is very talented and nice), for showing me this video.)

FICTIONAL FRIDAY: PUSHWAGNER'S SOFT CITY

In the early 1970s, the Norwegian artist Hariton Pushwagner created a dystopian vision of the modern city, with cars, monotony and soulless architecture, called Soft City. In this amazing series of drawings, he showed a day in this horrible society where identity is history, variation is fault and likeness the prime virtue. In many ways, this was probably nor only a reflection of Pushwagner's political views, but just as much a reaction to how Norwegian architecture was developing at the time.

One example can be found in Fantoft student hostel in Bergen, where repetition, uniformity, lack og scale and boring and ugle materials are combined with boring setting to create something that could easily have inspired Pushwagner.

The artist kept returning to Soft City, and not all of these drawing come from the original series. A book with the first edition of Soft city was published some years ago. I own a copy, but I'm not sure if it can be bought online. The ISBN number is 9788291187785, and the book is very much recommended.

Finally, a short film version of Soft City:

FICTIONAL FRIDAY: THE GRIFFIN'S CAVE

From my favourite live action version of the classic Alice in Wonderland, a strange and beautiful little scene, set in a piece of gravity- and proportion-defying classical architecture, in the form of a cave. (No point in going to richardland.com, by the way.)

WES AND MATILDA

Today, while sitting at the desk in our classroom with my brilliant fellow student Matilda, who makes the world's most beautiful ink drawings, I suddenly felt like I was part of a Wes Anderson film. It may have had something to do with the amount of symmetry, an element which he uses a lot in his movies. At one point, I felt I was Bill Murray, but now I'm much better, thank you very much.

FICTIONAL FRIDAY: THE HOBBIT

For all lovers of fantasy architecture: This will be great. Get ready to return to pointed arches in Lórien, grass-covered walls and round doors in the Shire, lighweight Art Nouveau in Rivendell and heavy underground Dwarf walls of solid stone. I simply can't wait.

FICTIONAL FRIDAY: OLYMPUS OF "IMMORTALS"

Fictional Friday is a series of posts on my blog, where I present fantastical and fictional architecture from books, television, films, computer games, art etc. every Friday.

This week, something for those of you who just can't have enough of inventive Classicism: In the otherwise unimpressive film 'Immortals', there was a rather beautiful set, designed for Olympus, the home of the gods. Imagined as a synthesis of unpolished marble, symmetry and geometry, this amazing piece of fictional architecture reminded me of the stark and beautiful Nordic Classicism (sometimes referred to as 'Swedish Grace') of the 1920s. Have a look, ignore the silly costumes, pay notice to the nice Lucie Fournier relief and make up your own opinion:

THE FUTURE ACCORDING TO TOR

Made by a friend of mine, I like how this video suggests that things are going in the right direction, and architects may have a role in finding the way.

KATY PERRY AND THE AESTHETICS OF SURREAL FANTASY

Yes, it's kitschy. Yes, it looks rather fake. But it's also imaginative and kinda cool.

Fictional Friday is a series of posts on my blog, where I present fantastical and fictional architecture from books, television, films, computer games, art etc. every Friday.