PUMPKIN TUNNEL

Picture credit: Pinterest, I think

Today in outdoor architecture: A super cool tunnel made of steel and living pumpkin plants. The colour, the contrast between the geometry of the steel and the organic shapes of the plants, and the amazing filtering of the light all come together to make this an unusual and interesting space. Would love to put one of these in my garden, or even in the grounds of a school or public building.

FICTIONAL FRIDAY: FROZEN or WHY NOT LIVE IN A STAVE CHURCH?

I watched this wonderful little film in Christmas, and was blown away by all the wonderful design. Disney was heavily inspired by the Norwegian landscape, especially Western Norway, and went on several study trips to establish the asthetics of Arendelle, the kingdom in which the film takes place.

Apart from nice music and charming characters, I guarantee you'll love the buildings, which were copied from famous Norwegian buildings and building types, such as Akershus fortress in Oslo, Bergen city centre, stave churches and log-built houses. The royal palace is basically a stave church with bedrooms.

Poster

Hello, Arendelle

Hello, Gol Stave Church

Hello, Akershus Fortress

Hello, Bergen

Oh, and the queen builds a pink and blue ice palace at one point.

LYNGDALIAN HOUSE

Visiting a friend of mine in Lyngdal, Southern Norway a few weeks ago, we stumbled across this weird and wonderful house and garden, lying peacefully next to the road. I doubt that an architect lives here, but the people who do, have taken their liberties in creating something unusual, adding both a small tower and miniature italianate box planting in the middle of the Norwegian agricultural landscape. I can't help but love when people take control of their surroundings in this way, often creating something unique and infinitely charming as they go along.

FICTIONAL FRIDAY: IMAGINATIVE RECONSTRUCTION

Your task for the evening is a simple one: Google the words "imaginative reconstruction". Look. Read. Listen.

FICTIONAL FRIDAY: THE THIRD AND THE SEVENTH

The Third & The Seventh from Alex Roman on Vimeo.

Please watch this beautiful little film of architecture real, imagined and re-imagined (in fullscreen); it's a nice reminder of how architecture sometimes can be an art.

One of the most important buildings featured in the film is Louis Kahn's Exeter library. The more I learn about Kahn, the more I come to love his work. There's a rather huge Kahn exhibition at the Oslo Museum of Architecture right now. Anyone who hasn't seen it, really should go. Last day of the exhibition is 26th January 2014.

Finally, thanks to Joan, who made me aware of the film a long time ago. I love it.

PS. TOEFL test tomorrow, needed for my applications to the schools I want to get in to in the US. Wish me luck!

GROCERS' APARTMENTS or HOW TO LOOK FLIRTY AMONGST TIMBER FRAME BUILDINGS

As I hinted earlier, I recently went to Hamburg. One of the greatest places I visited, was also one of the smallest, a tiny street inside a complex called the Grocers' Apartments.

Photo: Wikimedia Commons

On a tiny plot, this group of 17th century timber frame houses creates a world of its own, twisting and leaning and bending in all directions.

(Add some curly hair, oxfordesque attire and a hand on the chin, and you've accomplished what you wanted to, more or less.)

LEAF CEILING

This amazing ceiling made of linden trees can be found at Blindernveien in Oslo, and creates a room as good as any.

The technique is called pollarding in English, and is an excellent way of renewing trees.

FICTIONAL FRIDAY: MEDIEVAL PHILOSOPHY

I somehow stumbled upon the Norwegian version of Wikipedia's article about Medieval philosophy earlier today. This is the complete set of illustrations. Weird stuff.

FICTIONAL FRIDAY: PARALLEL UNIVERSE SWEDEN

Somewhere, in a not-too-different world, you'll find this slightly absurd house, standing somewhere in the Swedish countryside. Why does it look the way it does? How did it come to be that way? It's great, like something that has grown naturally over time, but I'm not very sure how it would seem in real life.

Anyway, be sure to visit the brilliant webpage of artist Simon Stålenhag for more of this strange and captivating vision.

FICTIONAL FRIDAY: THOR/THE DARK WORLD

Stone! Brass! Glass! Viking ornament! Thor is back, more focused on the weird and wonderful architecture in Asgard (Marvel's version of it, anyway) than ever. When this world was launched some years ago, many were astonished by the futuristic look of the city of the Northern gods. I'm looking forward to seeing more of these spaces, which are rooted in ancient traditions, but with a very fresh feel.

VINEYARD CLASSICISM

This facade is amazing. Simple, and yet intriguing. I suppose the thick stone walls are keeping the wine cold, while the arches and niches make it interesting. The building doesn't really look like a château to me, but it's supposed to be the vineyard Château Mouton-Rothschild in Médoc, Southern France. (Study trips are a great occasion for discussing (and drinking) wine.)

MYSTERIOUS COURTYARD

Isn't this the most wonderful backyard you've seen in a while? Not very classical, but very welcoming and charming, in some inexplicable way. The picture was taken earlier this summer in Grønland, Oslo, by a friend of mine who lives in one of the buildings surrounding it.

I'm not quite sure what the white, fog-cottonish stuff is, but Lina seems to believe it's pollen. I think it might be poplar seeds, but I'm not sure. Looks cool, though, don't you think?

MOMO

Have you ever read this wonderful book? A modern fable, dealing with such themes as time, modernity and life in the city, Michael Ende's classic also contains reflections on architecture, and descriptions of amazing rooms and spaces.

The text is, in most versions, accompanied by these pictures and many more, apparently made b Ende himself. They make the book come alive in a weird and charming way, and are an excellent example of how fictional imagery might extend the possibilities of architecture. The protagonist lives in an old Roman amphitheatre, and the book has been described by the author as "a tribute of gratitude to Italy".

It was also made into a film in 1986, featuring great and imaginative sets, often reminiscent of classical architecture. Here's a montage of clips from the film. Not my taste in music, but have a look anyway:




And read the book. And watch the whole film. It's all very beautiful.

PALAIS D'ELECTRICITÉ

Ah, those were the days! At the 1900 world's fair in Paris, also called the Exposition Universelle, architectonical decoration was still (very) allowed, and stylishly dressed people would marvel at the amazing new world that the coming century would bring. They had no idea what they were up for.

This optimistic and even enthusiastic buildings was the Palais d'Electricité, simply celebrating the wonder of electricity, which apparently is closely linked with the concept of the semicircle.

One thing is for sure: They don't make 'em like this anymore.

There, right between the legs of the Eiffel tower (which was constructed for an earlier world's fair)

Picture credits: Wikimedia commons

CLASSICAL SUBSTATION BUILDING

Walking around my home town today, I just had to take a picture of this wonderful little structure. Architect and year is unknown, but I would guess it's from around 1920, and probably not yellow originally.

There doesn't seem to exist any kind of building which can't be executed in a classical manner, does it?

REVIVAL

The Deichman library in Oslo. Liberal Greek revival, Nils Reiersen 1933.

During the course of architectural history, it has happened any times that the aesthetic ideals of an early period have once again become important. Different styles, such as Gothic, Egyptian, Baroque and not at least, Classicism, have haunted the drawing boards of architects in different versions even up until today.

Bragernes church in Drammen. Backsteingotik revival,  Ernst Norgrenn 1872.

Viewing something from a distance provides a person with a certain clarity, an overview which can be hard to obtain when you're in the middle of it. For this reasons, revivals can, in my opinion, be just as great as the originals, although maybe in a different way. Taking a step back has its drawbacks, but that shouldn't be a reason to back off and not to try to do something which you believe would be great.

National Bank of Greece in Nafplio. Mycenaean (!) revival, Zouboulidis ca 1930.

 This blog has been dormant for many months now, not unlike an architectural language which is abandoned in favour of another, but still stays there, behind the curtains. And this is my attempt at a revival of what Not Another Architecture Student has been. Throughout three years of studies, the blog has been my incidental diary for architectural discoveries, a place to scribble down new ideas, a channel for pouring out love and hate in the realm of buildings and cities, and a way to come in contact with some interesting people.

Helga Eng's Hall, Blindern. Playful functionalist revival, LMR arkitektur 1994.

 I have now finished the first part of my masters degree in architecture, equivalent to an undergraduate or bachelors degree. During the year to come, I will work full-time as a paid intern in a very interesting architectural firm called LMR arkitektur. Although a relatively old company, they are a curious and innovative bunch, and I'm looking very much forward to learning from them and contributing with what I may have.

University library at Blindern. Monumentalist revival? LMR arkitektur 1999.

In the year to come, this blog will again become important. Moving home to Oslo will provide me with a new perspective, and new objects to investigate. One of the places I really want to explore, is the university campus, which goes by the name of Blindern, named after the former farm whose land it now occupies. This is a strange and wonderful place, full of ugly buildings and beautiful parks, loved by many for their contents and by few for their looks and interface. I will probably return to Bergen next fall, but I'll also apply to do my masters at other schools, so nothing is certain. Wish me luck!


Yours truly,

K

University library at Blindern. Treetrunk revival? LMR arkitektur, 1999.

PS. Fictional Friday will be back, too!

SNOW CURTAIN

"Who needs ccurtains on the isle of Røst"? Photo taken yesterday by my friend Gaute Granlund, who is also the island's vicar.

FICTIONAL FRIDAY: MOOMINS AND THE COMET CHASE

I recently saw this charming little film, which was compiled from parts of the old Moomin tv-series. I've always loved to Moomin universe, and not at least the charming wooden architecture that fills it. Thanks to my briliant and charming classmate Inga Hegdahl Eggen for suggesting the Moomin house!

PINK CHURCH

I don't always go to church on Sundays, but when I do, it's a pink church.

I really wish that was true.

Chesme church by architect Yury Felten in St. Petersburg, Russia. Picture credits: Wikimedia Commons (where it was the picture of the day today/yesterday, depending on where in the world you are).

MY FAIR LADY/LONDON BRIDGE

"You disgrace to the noble architecture of these columns!" - Henry Higgins in George Bernard Shaw's Pygmalion, the play on which the musical and film My Fair Lady is based

The other day, a friend of mine suggested we should go see the new Oslo production of this timeless piece of musical silliness, and suddenly, I was humming the old children's song with lines that go like this:

London Bridge is falling down,
Falling down, falling down,
London Bridge is falling down,
My fair lady.

According to Wikipedia's excellent article about this verse, which is referencing Studwell, 1996, this is probably (???!?) where the musical took its name from. The rhyme is part of an old song about building a bridge using all sorts of materials (wood and clay will was away, iron and steel will bend and bow, etc.). A charmingly illustrated note sheet from 1877 looks like this:

I'm not really sure which one of these guys is the architect, but the old architect's symbol can be found on top of the stone plate being carried by that really muscular man. Maybe it's him?

London Bridge in the late 19th century

London Bridge is a name that has been carried by several bridges throughout the ages. The one pictured on the note sheet was only 40 years at the time, replacing a medieval bridge which stood 30 m downstream. The 1831 bridge was later bought and moved to Arizona, USA, by Robert McCulloch, for a new planned community called Lake Havasu City, after this bridge had been slowly sinking into the Thames since the end of the 19th century. (Nasty rumors have it that he thought he was buying the iconic Tower Bridge.)

Not London Bridge

The reconstructed bridge was finished in 1971, and was in London replaced by a neutrally looking concrete bridge.

The reconstructed London Bridge in Arizona

The current London Bridge

The coolest bridge, though, was the medieval one. Construction began in 1176, but wasn't finished before 1209, 33 years later. Then again, this bridge would last for another 600 years.

From the very beginning, houses with shops, dwellings, water wheels, squares and chapels were built on top of London Bridge, almost forming a continuous street instead of giving the feeling of walking on a bridge. This was partially done to pay for the extremely expensive construction, but also looked really neat.

The infamous Nonsuch house (as in 'nothing quite like it') was perhaps the most outstanding building on the bridge, and can be seen in the middle of this picture. (It's the one with the red, yellow and white facade, topped by four blue onion domes.) To cross the bridge, you actually had to go right through many of the houses, out of which several leaned as far as seven feet out over the water.

The bottom picture shows London Bridge c. 1750, shortly before all the houses were demolished to make way for traffic. The bridge itself stood until 1831, when it was replaced by the bridge now standing in Arizona.

And then only one question remains: Who was this Fair Lady? There are several suggestions, but here's the one I found a picture of, Matilda of Scotland. She was a consort of King Henry I, and oversaw the building of several bridges in 12th century England:

(Picture credits: Wikimedia Commons, except the ones of Audrey Hepburn and Nonsuch House, which I frankly don't quite know who owns.)