THE UNITED STATES OF IN-YOUR-FACE

Pavillion of the USA, World's fair 1900, Paris

Not exactly my definition of beauty, but it sure makes a statement. 1900 must have been a strange time to be alive.

FICTIONAL FRIDAY: APOKALYPSE DA

Photo by Morgan Flament

This great picture suddenly showed up on my Facebook news feed this morning, and I immediately decided I had to put it on the blog. It's taken from a new theatre play called "Apokalypse da" (Engl: "Apocalypse then") by the duo REBEKKA/HUY at Black Box Theatre in Oslo, which deals with the Vietnam war, seen from present day by a generation of actors born in the eighties. (Norwegian description on the theatre's website.) Unfortunately, I did not see it, so I don't know exactly what kind of scene is depicted here.

Lighting design was done by the brilliant (heh) (no, but seriously) Norunn Standal, and reveals two important points to me: The first, of course, is how light in itself can create a feeling of space. The entire "room" visible in this picture is defined by the reach of the lamps, with blurry, bulging edges, but still well-defined. I'm a lover of shadow in architecture, and she uses it masterly. The second thing to notice here, is how amazing artificial light can be. Using the "fog effect", dispersion of white light in smoke makes the whole scene and people glow, and lets us see things in new ways.

I love natural light as much as the next architect, but many people around the world, especially in Northern areas, spend large parts of their lives under dark skies. In this situation, it is the role of the architect and designer to recognize the fact that windows look more or less like large black squares for most of the time we see them.

Therefore, it must be one of the basic tasks of our professions to think new thoughts about how to create artificial lighting which helps bring about environments of high quality, a necessity in replacing the function of natural light when that is absent.

NUDE CLASSICISM

No, it's not a library from Fascist Italy. Behold the Leisner Auditorium of the George Washington Univeristy in Washington DC! When everyone else was doing "stripped-down" classicism in DC in the 40s, architects Faulkner and Kingsbury decided to go completely naked with the Auditorium, named after a donor and finished in 1943.

A symmetric building clad in limestone, it only hints at classical roots, with a level of detail some might find to be a bit harsh, while others may think the structure to be strikingly modern and intense in its austerity. I'd call it a guilty pleasure, I suppose. Inhuman and amazingly ruthless though it is, the shadows cast by its narrow porch, the dynamic of the three entrances invisible from each other, and the soft patina of the stone walls in my opinion makes it good enough to deserve its place. If I could make one wish, it would have been for the pillars to be of massive limestone, or at least not as obviously clad in rather thin plates of it.

At night, 1946

The building has been used both for concerts, movie screenings, lectures and debates throughout the years, and continues to function as a gathering place in modern day DC.

River Horse, 1996

In front of the building stands the sculpture called River Horse (artist unknown), given as a gift in 1996. A plaque on the base reads

Legend has it that the Potomac was once home to these wondrous beasts.

George & Martha Washington are even said to have watched them cavort in

the river shallows from the porch of their beloved Mount Vernon on summer evenings.

Credited with enhancing the fertility of the plantation, the Washingtons believed

the hippopatamus brought them good luck & children on the estate often attempted

to lure the creatures close enough to the shore to touch a nose for good luck.

So, too, may generations of students of the George Washington University.

Art for wisdom,

Science for joy,

Politics for beauty,

And a Hippo for hope.

The George Washington University Class of 2000

August 28, 1996

PUMPKIN TUNNEL

Picture credit: Pinterest, I think

Today in outdoor architecture: A super cool tunnel made of steel and living pumpkin plants. The colour, the contrast between the geometry of the steel and the organic shapes of the plants, and the amazing filtering of the light all come together to make this an unusual and interesting space. Would love to put one of these in my garden, or even in the grounds of a school or public building.

TARKHANY

Picture by Wikicommons

At the time when I started this blog, I wrote a few posts about the wonderful wooden architecture of Russia. Large manor houses, churches and villages are all part of a great tradition which is not well-known in the West, but includes both very classical buildings, and those inspired by vernacular architecture.

Rear view. Picture by Wikicommons.

The example of the day is the elegant and charming estate of Tarkhany, which was constructed around 1800 in the region of Penza Oblast, in Western Russia. Currently a working museum, the manor house and the surroundings were originally a family residence, containing such necessities as a church, fish ponds, fruit gardens, a domed garden pavilion, avuenues of lime trees, several cottages for the workers, and a mausoleum.

Tarkhany garden pavilion. Picture by worldwalk.info

Pavilion dome detail. Picture by worldwalk.info

Tarkhany was also the home of the famous Russian poet Lermontov, and the museum still contains many of his belongings in the period furnished rooms of the houses.

Cottage at Tarkhany. Picture by worldwalk.info

I want a porch like this one. Picture by Wikicommons

 

FICTIONAL FRIDAY: THE THIRD AND THE SEVENTH

The Third & The Seventh from Alex Roman on Vimeo.

Please watch this beautiful little film of architecture real, imagined and re-imagined (in fullscreen); it's a nice reminder of how architecture sometimes can be an art.

One of the most important buildings featured in the film is Louis Kahn's Exeter library. The more I learn about Kahn, the more I come to love his work. There's a rather huge Kahn exhibition at the Oslo Museum of Architecture right now. Anyone who hasn't seen it, really should go. Last day of the exhibition is 26th January 2014.

Finally, thanks to Joan, who made me aware of the film a long time ago. I love it.

PS. TOEFL test tomorrow, needed for my applications to the schools I want to get in to in the US. Wish me luck!

ICH BIN EIN HAMBURGER

Yours truly at Hamburg Hauptbahnhof earlier today. The building was constructed in 1906, designed by architects Heinrich Reinhardt and Georg Süssenguth, based on the Galerie des machines. Hamburg is an nice place, and the burger was tasty.

TALL WINDOWS

 Can you resist something this large and comforting, with almost human proportions? I didn't think so.

Photo from Berlin city hall by Stephaniè Jade-Mariè Piasdòttir Kjærstad

PALAIS D'ELECTRICITÉ

Ah, those were the days! At the 1900 world's fair in Paris, also called the Exposition Universelle, architectonical decoration was still (very) allowed, and stylishly dressed people would marvel at the amazing new world that the coming century would bring. They had no idea what they were up for.

This optimistic and even enthusiastic buildings was the Palais d'Electricité, simply celebrating the wonder of electricity, which apparently is closely linked with the concept of the semicircle.

One thing is for sure: They don't make 'em like this anymore.

There, right between the legs of the Eiffel tower (which was constructed for an earlier world's fair)

Picture credits: Wikimedia commons

CLASSICAL SUBSTATION BUILDING

Walking around my home town today, I just had to take a picture of this wonderful little structure. Architect and year is unknown, but I would guess it's from around 1920, and probably not yellow originally.

There doesn't seem to exist any kind of building which can't be executed in a classical manner, does it?

REVIVAL

The Deichman library in Oslo. Liberal Greek revival, Nils Reiersen 1933.

During the course of architectural history, it has happened any times that the aesthetic ideals of an early period have once again become important. Different styles, such as Gothic, Egyptian, Baroque and not at least, Classicism, have haunted the drawing boards of architects in different versions even up until today.

Bragernes church in Drammen. Backsteingotik revival,  Ernst Norgrenn 1872.

Viewing something from a distance provides a person with a certain clarity, an overview which can be hard to obtain when you're in the middle of it. For this reasons, revivals can, in my opinion, be just as great as the originals, although maybe in a different way. Taking a step back has its drawbacks, but that shouldn't be a reason to back off and not to try to do something which you believe would be great.

National Bank of Greece in Nafplio. Mycenaean (!) revival, Zouboulidis ca 1930.

 This blog has been dormant for many months now, not unlike an architectural language which is abandoned in favour of another, but still stays there, behind the curtains. And this is my attempt at a revival of what Not Another Architecture Student has been. Throughout three years of studies, the blog has been my incidental diary for architectural discoveries, a place to scribble down new ideas, a channel for pouring out love and hate in the realm of buildings and cities, and a way to come in contact with some interesting people.

Helga Eng's Hall, Blindern. Playful functionalist revival, LMR arkitektur 1994.

 I have now finished the first part of my masters degree in architecture, equivalent to an undergraduate or bachelors degree. During the year to come, I will work full-time as a paid intern in a very interesting architectural firm called LMR arkitektur. Although a relatively old company, they are a curious and innovative bunch, and I'm looking very much forward to learning from them and contributing with what I may have.

University library at Blindern. Monumentalist revival? LMR arkitektur 1999.

In the year to come, this blog will again become important. Moving home to Oslo will provide me with a new perspective, and new objects to investigate. One of the places I really want to explore, is the university campus, which goes by the name of Blindern, named after the former farm whose land it now occupies. This is a strange and wonderful place, full of ugly buildings and beautiful parks, loved by many for their contents and by few for their looks and interface. I will probably return to Bergen next fall, but I'll also apply to do my masters at other schools, so nothing is certain. Wish me luck!


Yours truly,

K

University library at Blindern. Treetrunk revival? LMR arkitektur, 1999.

PS. Fictional Friday will be back, too!

PORTFOLIO

Shit pommes frites! (Norwegian expression) It's been more than a month since I last wrote anything here. Sorry to my wonderful readers who have missed the quirky architecture and all-over-the-place references. I've been very busy with school, but most importantly: Making a portfolio! I'm sending it out to different offices these days, so wish me luck!

Oh, and here's the portfolio. You can even download it if you want to:

http://issuu.com/hoff-andersen/docs/portef__lje_2013_issuu_ii

(In Norwegian so far)

DEMOCRATIC REPUBLIC OF CLASSICISM

St. Pierre et Paul, the classical cathedral of Lubumbashi, or The City Formerly Known As Élisabethville, in the Democratic Reublic of Congo. Year: 1921. Architect: Unknown.

Contextual and cool, even literally (I would guess).